|SOTT | Sep 15, 2014 | Source|
The guide points out scratch marks on the wall - made by bears, who fortunately don't live in the caves anymore. Venturing deeper, you pass some engravings and drawings of a rhino, horses and a procession of mammoths. They are impressive. Not simply childish drawings of animals, but skilled works of art.
Two kilometres in, the train grinds to a halt. You get out and start to walk, hoping the movement will warm up your limbs. You stumble into a hidden gallery, darkness engulfing the group. The guide explains in hushed tones why these caves are so magnificent.
At last, you're allowed to switch on your head-torch. Gazing upwards, you now understand what the guide was on about. Animals of all shapes and sizes adorn the ceiling. Some intricately painted, others simple line drawings. No wonder this is known as the "Great Ceiling".
Welcome to Rouffignac Cave.
Over 250 prehistoric artworks litter the walls of this cave system, which is accessible only aboard the electric train that zips visitors 13,000 years back in time.
In fact, after 100 artworks of the woolly mammoth were initially discovered here, Rouffignac Cave was nicknamed 'Cave of the 100 Mammoths'. Over 150 have now been found, accounting for 70 per cent of all the animals represented in the cave.
Most of the paintings and engravings are tucked deep in the interior.
It is still unknown quite why Stone Age humans ventured so far into the cave system, sometimes having to crawl on their fronts, just to create these works of art. While the caves guard this secret, the paintings they protect are truly magnificent.
Much later, during WWII, the caves also protected people, serving as a hide-out for French Resistance fighters.
The caves are hidden in woodland 15km north of Les Eyzies-de-Tayac-Sireuil in the Dordogne's Vézère Valley.
Some of the signs are thought to have been made by children as young as three years old - the "finger flutes" created by dragging three digits down the wall.